![]() ![]() He has also received the Gold Lion Award of the Cannes Lions International Festival of Creativity in 2008. He has produced numerous projects, including the Music Video: A Vehicle for New Sensitivity exhibition, the goo the ONE Spot project, and an INAX movie projected through a spherical screen at the 2010 Shanghai Expo Japan Industry Pavilion. (This article belongs to the Special Issue Intelligent Strategies for Medical. He specializes in the production of commercials and music videos and the development of websites and original content, as well as the planning and production of campaigns and exhibitions that transcend specific media genres. Colon polyps, small clump of cells on the lining of the colon, can lead to. In 1992 he joined MTV Japan as On-air Promotion Creative Director, and in 2001 he became creative director at P.I.C.S. His works are included in the collection of the Museum of Modern Art (MoMA). Since 1982 he has worked as a visual image artist, creating numerous video art works and installations. Profileīorn in Kagoshima Prefecture in 1961, TERAI graduated from Tama Art University after completing the Oil Painting Course in the Department of Painting, Faculty of Art and Design. There, in our collective unconscious, we can see possibilities for the entertainment of the future. When viewing these award winners, the eye may at first be drawn to such superficialities as their cuttingedge tone or mode, but a closer look at each work reveals its solid grounding in universal dreams and desires. The other Excel lence Award recipients were Smart Trashbox (KURATA Minoru), which showed the ultimate trashcan in operation KURATAS (KURATA Kogoro, YOSHIZAKI Wataru), a robotpiloting dream come true and GRAVITY DAZE (TOYAMA Keiichiro and the GRAVITY DAZE TEAM), a game that manipulates gravity, fulfilling the basic humanurge to fly. Excellence Award winner THE WARPED FOREST (MIKI Shunichiro), created with his own funding by a popular commercial director, became, as a logical consequence, a freewheeling film with everything thrown into it. The Grand Prize winner, Perfume "Global Site Project" (MANABE Daito, MIKIKO, NAKATA Yasutaka, HORII Satoshi, KIMURA Hiroyasu), was an expansive attempt to post a vast diversity of dance videos on the Internet by providing open-source data to stimulate the ambitions of numerous creators who would further stimulate one another. While exploiting the attributes of their respective media- the web, video, gadgetry, games, stage presentations and so on - it was clear that these artists did not rely solely on the novelty of new technologies, but aimed for a maturity of expression. I was amazed at the degree to which they earnestly addressed fundamental desires shared by everyone, not just the events or markets of last year. The majority of these studies were performed on a laboratory scale under strict conditions of temperature, pressure, and cleanliness, and using solutions with predefined chemical concentrations, which are crucial for developing new modified chitosan, studying the effects of multiple sorption variables, and determining the underlying sorption isotherms, kinetics, thermodynamics, and mechanisms.One lasting impression of this year's entries was that they are rooted in universal desires or instincts, yet sublimate these into new experiences and new creations reflecting the sensibilities of our times. up to 5 cycles for commercial adsorbents (Tsolele et al., 2019)). up to 0.166 g/mmol min for commercial adsorbents (Tsolele et al., 2019)), and excellent reusability (up to 7 cycles (Table 4) vs. 0.25− 0.55 mmol/g for commercial adsorbents (Jia, Steele, Hayward, & Thomas, 1998 Morcali, Zeytuncu, Ozlem, & Aktas, 2015)), high sorption selectivity (up to 100 % (Table 4) which is as good as, if not greater than, those of commercial adsorbents (Khunathai et al., 2017 Tsolele, Mtunzi, Klink, & Pakade, 2019)), fast kinetics (up to 1.75 g/mmol min (Table 4) vs. 1 and Table 4), motivated chiefly by their outstanding properties such as high sorption capacity (0.17-8.32 mmol/ g (Table 4) vs. ![]() The past two decades have witnessed an increasing number of studies in recovering Au(III) from aqueous solutions using a broad range of modified chitosan ( Fig. ![]()
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